آکادمی رابعی اخبار ، مقالات ،آثار و برنامه های مهندس حمید رابعی
The Geometric Reinterpretation of the Divine Name “Allah”: From Calligraphy to ArchitectureAbstractThe Divine Name “Allah” has always occupied a distinguished position in the history of Islamic art. Within the visual tradition of the Islamic world, calligraphy, geometric patterns, and vegetal ornamentation have constituted the three principal domains of non-figural decoration, while inscriptions—particularly in architecture—have served as one of the most fundamental vehicles for both meaning and aesthetic expression.This paper introduces and analyzes an emblem derived from a geometric reinterpretation of the Divine Name “Allah.” In this design, the four constituent letters of the word are not treated as separate elements; rather, they are organized into a unified, continuous, and symmetrical system. The resulting structure preserves calligraphic legibility while simultaneously possessing the capacity to function as a formal language for graphic design, ornamental pattern-making, and even architectural design.The aim of this study is to demonstrate how a calligraphic composition can transcend …
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The Geometric Reinterpretation of the Divine Name “Allah”: From Calligraphy to Architecture
The Geometric Reinterpretation of the Divine Name “Allah”: From Calligraphy to ArchitectureAbstractThe Divine Name “Allah” has always occupied a distinguished position in the history of Islamic art. Within the visual tradition of the Islamic world, calligraphy, geometric patterns, and vegetal ornamentation have constituted the three principal domains of non-figural decoration, while inscriptions—particularly in architecture—have served as one of the most fundamental vehicles for both meaning and aesthetic expression.This paper introduces and analyzes an emblem derived from a geometric reinterpretation of …
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