The Geometric Reinterpretation of the Divine Name “Allah”: From Calligraphy to ArchitectureAbstractThe Divine Name “Allah” has always occupied a distinguished position in the history of Islamic art. Within the visual tradition of the Islamic world, calligraphy, geometric patterns, and vegetal ornamentation have constituted the three principal domains of non-figural decoration, while inscriptions—particularly in architecture—have served as one of the most fundamental vehicles for both meaning and aesthetic expression.This paper introduces and analyzes an emblem derived from a geometric reinterpretation of the Divine Name “Allah.” In this design, the four constituent letters of the word are not treated as separate elements; rather, they are organized into a unified, continuous, and symmetrical system. The resulting structure preserves calligraphic legibility while simultaneously possessing the capacity to function as a formal language for graphic design, ornamental pattern-making, and even architectural design.The aim of this study is to demonstrate how a calligraphic composition can transcend …
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From 12 years ago until Satoshi Nakamoto brought a new field of economics to the human race, to this day no one has identified the identity of this person or group and the characteristics of this real or legal figure are in a veil of ambiguity over the past years. Some have introduced themselves as Satoshi and some have speculated about the nature of this unknown and mysterious creature. Someone who can definitely be named one of the top 10 …
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